The film noirs of the 1940s and 1950s were some of the finest examples of cinema. Their use of lighting, with exceptional cinematography, gave the films that seedy atmosphere many of the plot devices demanded. Whereas many film historians point to the cinematography as the noir’s primary draw, there are other film admirers who might suggest that the lovely femme fatales were the genre’s best attraction. When it came to film noir femme fatales, few could hold a candle to Audrey Totter. The curvaceous blond was in her element portraying cunning dames with nothing but their best interests in mind.